Emily's profileDear Diary momentPhotosBlogListsMore Tools Help

Blog


    April 26

    farinelli绝代妖姬

           在十八世纪的意大利,瑞加多是一位古典音乐作曲家,为了使他的弟弟法拉利内利的高音歌声不会因为成长而消失,不惜在法内利孩童时实施宫刑,结果法内利成为了伟大的歌唱家。他的醉人的歌声及纯真的魅力迷倒了不少美女,瑞加多乘机假冒法拉内利之兄与她们勾搭,并在感情和事业上处处控制着纯洁的法拉内利,为此法拉内利付出了他的一生……
           亨德尔意外获知farinelli成为castrato的真相,并在farinelli演唱的间歇告诉了他,他悲痛不已,从此无法原谅他的兄长对他的所作所为,认为什么都无法弥补这个伤害,三年以后他的兄长完成了合唱组曲,在宫廷的院子里喊他,他很痛苦,不想见他,但是晚上他乘兄长熟睡把组曲的乐谱偷偷拿了回去,第二天再爱丽丝的劝说下他原谅了他的兄长,此后就应该是在西班牙皇家花园那段日食的故事了吧,当太阳被黑影吞没,国王一句把太阳召回吧,他又唱起组曲中的《任我流泪》,他的兄长嘴边含着微笑割腕自杀,但是他并没有死,当他醒来时,他看到farinelli就睡在他身旁,于是又安心的睡去,早上,他醒来了,farinelli不再身旁,他起来找farinelli,看到他和爱丽丝在一起,给爱丽丝留了个孩子作为对以前行为的补偿,然后就离开了,呵呵,和爱丽丝应该幸福的在一起了,我也希望是这样。
          故事主人翁瑞卡多与卡洛柏劳斯基兄弟确有其人,哥哥为了让弟弟保持着他独特的童声歌唱天分,亲自担任他的演唱经纪人和专属作曲家。但当弟弟成为十八世纪著名的声乐家之后,他对音乐有更高的追求,已不满足于哥哥写作的平凡的乐曲,竟偷偷跑到敌对的宫廷歌剧院中演唱更完美的歌剧,兄弟二人因而完全反目。
    法里乃利原名卡尔洛·布罗斯基,据说他10岁时从马背上摔下而失去性器官,从而将童年时代天使般的嗓音一直保存了下来。1722年,法里乃利在那不勒斯的一次即兴音乐比赛中击败了一个著名的小号吹奏家从而名声大噪。英国皇家宫廷作曲家汉德尔慕名请法里乃利为英王演唱。法里乃利无法忍受汉德尔对合作者哥哥里卡尔多的排斥,并朝汉德尔的脸吐唾沫,这更使他四海闻名。法里乃利经常和哥哥配合完成勾引女人的“两部曲”:法里乃利先行引诱,而后由哥哥做爱。1934 年,法里乃利在巡演时认识了漂亮的女子亚历山德拉·莱丽丝。她请他去伦敦拯救被汉德尔的皇家歌剧院压迫的诺布尔斯乐团。在伦敦,二人产生了强烈的爱情,哥哥里卡尔多与过去一样与法里乃利配合。随后法里乃利对哥哥的音乐水平表示怀疑,并开始为汉德尔说话,伤心的里卡尔多终止了与他的合作。在汉德尔的引诱下,里卡尔多说出了真相:法里乃利小时是被里卡尔多阉割。里卡尔多割破手腕以示弥补自己的过错,兄弟俩最后一次同台演出。里卡尔多随后离开,留下了与法里乃利的共同之作:亚历山德拉肚子里的孩子。 

                Farinelli(法拉内利),是三百多年前意大利著名的阉伶歌手。据说,他演唱的歌曲难度极高,一些复杂技巧,诸如十度音程的跳进等,除了他以外,几乎无人敢于问津。那个时代的美声唱法教育大师曼奇尼曾经惊呼:“在我们的时代,没有任何人能够与他相比。”观众对他更是崇拜得五体投地:“天上有一个上帝,地上有一个法拉内利!”法拉内利不仅以其炉火纯青的歌声成为无可争议的欧洲一流歌唱家,而且以其高尚的人格和谦虚的品性,得到西班牙国王腓力五世的赏识在宫廷供职,其间,还兼管宫廷的外交事务和公共事务,并获得了西班牙最高骑士爵位。声名之高,获誉之隆,后来者无不望其项背。
    如今的我们当然无缘亲耳听到他美妙的声音。但我们却能从一部电影中获得一些关于他的信息。这部电影就是《Farinelli》,中文译名《绝代妖姬》。这部电影是由意大利、比利时、法国合拍的,曾获得金球奖最佳外语片,凯撒奖最佳服装设计、最佳音响以及奥斯卡最佳外语片提名。值得一提的是,片中他的歌唱,在人间的确是没有的,因为那声音,是运用了现代先进电脑技术把几个不同声部的男声、女声和童声混合制作而出的,而那位三百多年前声名卓著的意大利歌唱家法拉内利的歌声,已经永远地尘封在历史的记忆里了。
          不得不说一句的是,到了现代,有假声男高音出现的作品并不多,而且假声男高音演唱者必须具备先天条件,加上日后苦练才能有所建树,所以假声男高音演唱家是屈指可数的稀世珍宝。尽管全球的假声男高音和次女高音们已经用尽全力尝试那些高难度的咏叹调,但是仍然有一些不可逾越的障碍。对假声男高音而言,声乐技术是最大的障碍。被誉为“新生的法里内利”的Angelo Manzotti是最强的假声男高音之一。对比他和薇薇卡演唱的“Riccardo Broschi: Son qual nave”,我们可以发现他在演唱这首难度最大的咏叹调的时候遇到了困难。而且他简化了一些特别困难的花腔片断,还在演唱中因为技术缘故出现了不少错误。对次女高音而言,阻止她们超越阉人歌手的问题有两个。第一个是关于肺活量的问题。法里内利(Farinelli)被证实有能力在一口气之内在一个音符上保持超过一分钟或者唱出250个音符(当今公认的最好的次女高音-巴托莉,在一个音符上一口气只能保持不到30秒。第二个问题有关音域。跟假声男高音相比,次女高音有更好的声乐技巧,但是她们不能达到男低音的音域。举例来说,有时阉人歌手咏叹调中的花腔片断可以低到G3。Manzotti(唯一留有录音的阉伶)的录音已经给了我们答案。在他的录音中,音域超过了三个八度。当然Farinelli正是他们永远无法逾越的障碍。

    February 04

    Hannah Montana

     
    超搞笑的青春期喜剧,从一个从田纳西来到加州Malibu的女孩开始,一个表面平凡的女孩Miley Stewart,在平凡的日常生活以外她还有另外一个作为非常出名的少女歌星Hannah Montana 的秘密生活。。。故事就从她周围的朋友亲戚开始。
    The other side, the other side, the other side of me

    by day, I play, the part in every way
    All simple,sweet,calm,and collected
    Pretend, to my friends, I'm a chameleon
    You make a girl feel disconnected

    Feel like a star, a superhero
    Sometimes its hard to seperate
    (got too much on my plate)


    If you could see
    the other side of me
    I'm just like anybody else, can't you tell?
    I hold the key, (the key) to both realities
    The girl that I want you to know if only I could show
    The other side, the other side, I want you to see (oh)
    The other side, the other side, the other side of me


    Inside, I try, to make the pieces fit right
    A jigsaw puzzle everywhere,
    cuz I flip(I flip), the script(the script), so many times I forget
    Who's on stage, who's in the mirror

    Back in the spotlight, the crowd is calling
    the paparazzi and the fame
    (they can drive a girl insane!)

    If you could see, the other side of me
    I'm just like anybody else can't you tell?
    I hold the key, to both realities
    The girl that I want you to know if only I could show
    The other side, the other side, I want you to see
    The other side, the other side, the other side of me


    Down inside I'm not that different
    Like everyone I have a dream
    Don't wanna hide, just wanna fit in
    sometimes
    that is harder then it seems

    If you could see, the other side of me
    I'm just like anybody else can't you tell?
    I hold the key, to both realities
    The girl that I want you to know

    If you could see, (come on!) the other side of me
    I'm just like anybody else can't you tell?
    I hold the key (the key), to both realities
    The girl that I want you to know if only I could show

    The other side, the other side, I want you to see (yeah)
    The other side, the other side, the other side of me
    The other side, the other side, I want you to see(oh)
    The other side, the other side of me
    May 03

    Shaka好pp--冥王十二宫

    小时候看圣斗士星矢最喜欢的就是Shaka~

    现在看依然觉得Shaka最帅最pp^^

    April 07

    corpse bride

    导演:蒂姆·伯顿 Tim Burton
       Mike Johnson
    主演:约翰尼·德普 Johnny Depp
       海伦娜·邦汉·卡特 Helena Bonham Carter
       艾姆雷·沃森 Emily Watson
       特崔茜·尤玛 Tracey Ullman
    类型:喜剧/浪漫/动画/家庭/奇幻
    片长:76分钟
    级别:PG
      19世纪欧洲的一个村庄,一个叫做维克多的男青年,正和朋友一起结伴返回自己的家乡
    ,因为在那里有个美丽的新娘正在那里等待着与他完婚,他甚至可以想象到自己婚礼的奢华
    ,一路上喜悦之情无法掩饰。当两人行走在阴森的树林中,树林中阴冷的寒风依然没能阻止
    维克多高涨的情绪和对于美好未来的憧憬,为了让自己即将到来的婚礼更加完美,他决定要
    做一次演习。于是,他单膝跪在地上,开玩笑似的把结婚戒指套在面前的一根树枝上,然后
    轻念祝词,还讲出了自己的新婚誓言。然而这次看似荒诞的一次演习,却引出了一连串奇怪
    的事情,那个树枝竟忽然间变成一根腐烂的手指,一个身披婚纱的女子破土而出,她自称是
    被谋杀的,更令人无法接受的是,她确定自己就是面前这个傻小子维克多的合法妻子。
      维克多哪见过这种架势,当下他脑海里里只剩下“逃跑”二字了。然而,面对眼前的这
    个僵尸新年,维克多一个凡夫俗子自然是跑不掉的。结局是维克多被引进了另一个世界里,
    并和这位僵尸新娘完婚。这位僵尸新娘不但眼神哀怨婚纱破旧,而且她的产生过程让人觉得
    不可思议,更恐怖的是她对维克多的矢志不移。细脚伶仃的维克多哪里经得起这样的折磨,
    但是他还是要选择奔跑。当然,鬼新娘给了他不少的惊吓,也给了他人生的诸多感想和教益
    ,他要面对两个要和自己结婚的姑娘,只是生死两界,这样的抉择,是痛苦的,亦是幸福的
    ……
     
    March 31

    小姐好辣

    主要演员  罗伯·施奈德
              瑞秋·麦克亚当斯
              安娜·法瑞丝
              马修·劳伦斯
              亚当·桑德勒
    电影类型  喜剧片
    影片级别  普通电影
    电影片长  90
    发行地区  欧美
    内容简介:
        《小姐好辣》是劳勃许奈德继《哈拉猛男秀》之后再度自编自演。在挑战过演出舞男、
    身上移植动物器官的男人之后,劳勃许奈德在《小姐好辣》当中挑战自己的极限。 ;《小
    姐好辣》的剧情描述一名尖酸刻薄的高中娇娇女,一天受到同学的诅咒,早晨起床居然发现
    自己变成了劳勃许奈德,这绝对是上天对于她最大的惩罚。娇娇女不但得在时限之内破解咒
    语,变回女儿身;同时还得忍受同学、好友对她的冷嘲热讽。哈拉猛男劳勃许奈德这一次彻
    底牺牲,各种女人才会从事的做脸、除毛等活动他在电影当中都必须一一亲身体验,《小姐
    好辣》当中他还必须一直扮演娘娘腔的男人,得跟其他的女人抢男人,还得学会使用男人身
    上的“工具”。整部电影充满性别错乱的笑话,而这也是劳勃许奈德最擅长的类型。
        本片的主角是一名在学校中广受欢迎、红得发紫,同时却又极其势力、尖酸刻薄的高中
    辣妹。讲述的是在经过一次上帝别出心裁想出来的奇妙惩罚后,主人公终于明白自己的肤浅
    和刻薄的故事。只不过,这回影片中的上帝实在有些脱线:惩罚的内容竟然是让辣妹变成男
    人!?!
      这位“可怜”的辣妹,就是校园中年轻的高中拉拉队队长--洁西卡(瑞秋·麦克亚当斯
    饰)。洁西卡是全校最炙手可热的校花,她的男友是[校橄榄球队的四分卫,过着羡煞众生的
    “完美”生活。但是,就在她自信自己的人生前途一片光明的时候,上帝却没有放过惩罚..

    February 04

    DH03e03

    We all carry something with us, of course it’s nice if we travel with someone who can help lighten the load, but usually it’s easier to just drop what we have been carrying, so we can get home that much sooner, assuming of course there will be someone to greet us when we arrive, why do we clutch this baggage even when we desperate to move on, because we all know there is a chance we might let go too soon.

    desperate housewife

    越看越精彩,欲罢不能~一连看了十集~
    不过还是希望第三季就能over……哈哈
    January 26

    curse of the golden flower

    今天和我达玲Sally一起看了黄金甲。很好看啊,Jay演得很有味道~
    January 25

    Shawshank Redemption

    精彩对白:

     
    1. Andy Dufresne: All right. But you should know that sudden serious brain injury causes the victim to bite down hard. In fact, I hear the bite reflex is so strong they have to pry the victims jaws open with a crowbar. Anything you put in my mouth you're gonna lose. Andy Dufresne: Dear Warden, You were right. Salvation lies within.
    2. Andy Dufresne: Get busy living, or get busy dying.
    3. Andy Dufresne: Here's where it makes the most sense. You need it so you don't forget. Forget that there are places in the world that aren't made out of stone. That there's a - there's a - there's something inside that's yours, that they can't touch.
    4. Andy Dufresne: I had to go to prison to become a criminal.
    5. Andy Dufresne: I said, since you don't have much success as a thief, you should try a new career. LI>Andy Dufresne: I wouldn't say "friends". I'm a convicted murderer who provides sound financial planning.
    6. Andy Dufresne: If they ever try to trace any of those accounts, they're gonna end up chasing a figment of my imagination.
    7. Andy Dufresne: It's my life. Don't you understand? IT'S MY LIFE!
    8. Andy Dufresne: Me? Lawyer fucked me. Everybody in here's innocent. Didn't you know that?
    9. Andy Dufresne: She was beautiful. God I loved her. I just didn't know how to show it, that's all. I killed her, Red. I didn't pull the trigger, but I pushed her away. And that's why she died, because of me.
    10. Andy Dufresne: Since I am innocent of this crime, I find it decidedly INCONVENIENT that the gun was never found.
    11. Andy Dufresne: That's the beauty of music. They can't take that away from you.
    12. Andy Dufresne: Yeah. The funny thing is - on the outside, I was an honest man, straight as an arrow. I had to come to prison to be a crook.
    13. Andy Dufresne: [in letter to Red] Hope is a good thing, maybe the best of things, and no good thing ever dies.
    14. Brooks Hatlen: [narrating] Sometimes after work I go to the park and feed the birds. I keep thinking Jake just might show up and say hello, but he never does. I hope wherever he is, he's doing okay and making new friends. I have trouble sleeping at night. I have bad dreams, like I'm falling. I wake up scared. Sometimes it takes me a while to remember where I am. Maybe I should get me a gun and rob the Foodway, so they'd send me home. I could shoot the manager while I was at it, sort of like a bonus.
  • Brooks: Dear Fellas, I can't believe how fast things move on the outside. I saw an automobile once when I was a kid. But, now they're everywhere. The world went and got itself in a big damn hurry. The parole board got me into this halfway house called the Brewer, and a job bagging groceries at the Foodway. It's hard work, and I try to keep up, but my hands hurt most of the time. 
  • Red: I know what you think it means, sonny. To me it's just a made up word; a politician's word. So young fellas like yourself can wear a suit, and tie, and have a job. What do you really want to know? Am I sorry for what I did?
  • Red: Jailbreak? Maybe we ought a file that one under "Educational" too.
  • Red: Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.
  • Red: There's not a day goes by I don't feel regret. Not because I'm in here, or because you think I should. I look back on the way I was then then, a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can't. That kid's long gone and this old man is all that's left. I got to live with that. Rehabilitated? It's just a bullshit word. So you go on and stamp your form, sonny, and stop wasting my time. Because to tell you the truth, I don't give a shit.
  • Red: These walls are kind of funny. First you hate 'em, then you get used to 'em. Enough time passes, gets so you depend on them. That's institutionalized. They send you here for life, that's exactly what they take. The part that counts, anyways.
  • Red: Wait a while. Word has it the Sisters have taken quite a likin' to you. Especially Bogs.
  • Red: Well yeah, Andy. I don't have her stuffed down my pants right now, sorry to say, but relax, I'll get her.
  • Red: [narrating] And that's how it came to pass that on the second-to-last day of the job, the convict crew that tarred the plate factory roof in the spring of forty-nine wound up sitting in a row at ten o'clock in the morning drinking icy cold, Bohemia-style beer, courtesy of the hardest screw that ever walked a turn at Shawshank State Prison.
  • Red: [Narrating] Get busy living, or get busy dying. That's goddamn right. For the second time in my life I'm guilty of committing a crime: Parole Violation. 'Course I doubt they'll toss up any road blocks for that, not for an old crook like me. I find I'm so excited I can barely sit still or hold a thought in my head. I imagine it's the excitement only a free man can feel. A free man at the start of a long journey, whose conclusion is uncertain. I hope I can make it across the border... I hope to see my friend and shake his hand... I hope the pacific is a blue as it has been in my dreams... I hope...
  • Red: [narrating] I find I'm so excited, I can barely sit still or hold a thought in my head. I think it the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
  • Red: [narrating] I have no idea to this day what those two Italian ladies were singing about. Truth is, I don't want to know. Some things are best left unsaid. I'd like to think they were singing about something so beautiful, it can't be expressed in words, and makes your heart ache because of it. I tell you, those voices soared higher and farther than anybody in a gray place dares to dream. It was like some beautiful bird flapped into our drab little cage and made those walls dissolve away, and for the briefest of moments, every last man in Shawshank felt free.
  • Red: [narrating] I have to remind myself that some birds aren't meant to be caged. Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up DOES rejoice. Still, the place you live in is that much more drab and empty that they're gone. I guess I just miss my friend.
  • Red: [narrating] The first night's the toughest, no doubt about it. They march you in naked as the day you were born, skin burning and half blind from that delousing shit they throw on you, and when they put you in that cell... and those bars slam home... that's when you know it's for real. A whole life blown away in the blink of an eye. Nothing left but all the time in the world to think about it. <

    1. October 01

      两部不错的吸血鬼片子

      Interview with the Vampire & Dracula
       
       
      精彩对白:
    2. Armand : Don't you want to lose it?
    3. Armand : I know nothing of God, or the Devil. I have never seen a vision nor learned a secret that will damn or save my soul. And as far as I know, after four hundred years, I am the oldest living vampire in the world.
    4. Armand : Knew him well enough not to mourn his passing
    5. Armand : Louis, I swear that I...
    6. Armand : The world changes, we do not, there lies the irony that finally kills us.
    7. Armand : They had forgotten the first lesson, that we are to be powerful, beautiful, and without regret.
    8. Armand : What do you mean?
    9. Armand : Yes.
    10. Armand : You are beautiful my friend. Lestat must have wept when he made you.
    11. Claudia : And if I cut my hair again?
    12. Claudia : And it means something else too, doesn't it? I shall never ever grow up.
    13. Claudia : But it wasn't always so. I had a mother once, and Louis: he had a wife. He was mortal same as she and so was I.
    14. Claudia : Did you do it to me?
    15. Claudia : Do it Louis, because I cannot, I haven't the strength. You saw to that when you made me.
    16. Claudia : Goodnight sweet prince, may flights of devils wing you to your rest.
    17. Claudia : How avant-garde.
    18. Claudia : How did you do it?
    19. Claudia : I came to make peace with you, even though you are the father of lies.
    20. Claudia : I'll put you in your coffin!
    21. Claudia : I'm not your daughter.
    22. Claudia : It's time we were on our way. I'm hungry, and the city awaits.
    23. Claudia : Locked together in hatred. But I can't hate you Louis. Louis my love, I was mortal to you. You gave me your immortal kiss you became my mother, and my father, and so I'm yours forever. But now it's time to end it, Louis. Now it's time to leave him.
    24. Claudia : Louis what's happening to her?
    25. Claudia : Louis.
    26. Claudia : Madeleine, Louis is shy.
    27. Claudia : No you would not Louis, danger holds you to me.
    28. Claudia : One lesson you taught me. Never drink from the dead.
    29. Claudia : Rats? When did you eat rats Louis?
    30. Claudia : What do you mean?
    31. Claudia : Where's mama?
    32. Claudia : Which one of you did it? Which one of you did it? Which on of you made me the way I am?
    33. Claudia : Who will take care of me my love, my dark angel, when you are gone?
    34. Claudia : Why yours alone? Tell me how it was done.
    35. Claudia : Yes, Father. At last we are even.
    36. Claudia : You get rid of it.
    37. Claudia : You have found your new companion Louis, You will make me mine.
    38. Claudia : You made us what we are, didn't you?
    39. Claudia : You... fed on me.
    40. Daniel Molloy : Hmm. That's something I've never heard before. You mean this literally, I take it?
    41. Daniel Molloy : I thought vampires didn't like the light.
    42. Daniel Molloy : So a vampire can cry.
    43. Daniel Molloy : So there are no vampires in Transylvania? No Dracula?
    44. Daniel Molloy : So, what do you do?
    45. Daniel Molloy : What a lucky break for me.
    46. Daniel Molloy : You really believe this, don't you, that you're a vampire?
    47. Daniel Molloy : You said you were waiting for me. What were you going to do? Kill me, drink my blood, all that stuff?
    48. Lestat : And what if there is no hell, or they don't want us there? Ever think of that?
    49. Lestat : Be glad I made you what you are. (grabs her throat with one hand) You'd be dead now if I hadn't, just like that damned corpse. Now, get rid of it. (releases her)
    50. Lestat : Claudia, you have been a very, very naughty little girl.
    51. Lestat : Don't be afraid. I'm going to give you the choice I never had.
    52. Lestat : Evil is a point of view. God kills indiscriminately and so shall we. For no creatures under God are as we are, none so like him as ourselves.
    53. Lestat : Evildoers are easier, and they taste better.
    54. Lestat : God, I swear you grow more like Louis each day. Then you'll be eating rats.
    55. Lestat : Have you said your good-byes to the light?
    56. Lestat : I am afraid, madam, my days are sacrosanct.
    57. Lestat : I assume I need no introduction.
    58. Lestat : I don't know any Hell.
    59. Lestat : I like to do it. I enjoy it. Take your aesthete's; taste purer things; kill them swiftly, if you will, but do it. For do not doubt: you are a killer, Louis.
    60. Lestat : I've drained you to the point of death. If I leave you here, you die. Or you can be young always, my friend, as we are now, but you must tell me: will you come or no?
    61. Lestat : It will grow back again.
    62. Lestat : It's so easy you almost feel sorry for them. You'll get used to killing. Just forget about that mortal coil. You'll become accustomed to it, all too quickly.
    63. Lestat : It's your coffin, my love. Enjoy it. Most of us never get to know what it feels like.
    64. Lestat : Lord, what I wouldn't give for a drop of good old-fashioned Creole blood.
    65. Lestat : LOUIS! Put me in my coffin!
    66. Lestat : Mama... mama has gone to Heaven, Chèrie, like that sweet lady right there. They all go to Heaven.
    67. Lestat : Merciful death. How you love your precious guilt.
    68. Lestat : No one could resist me, not even you, Louis.
    69. Lestat : Oh Louis, Louis. Still whining Louis. Have you heard enough? I've had to listen to that for centuries.
    70. Lestat : Oh, yes, you are. You're mine and Louis' daughter now. You see, Louis was going to leave us, he was going to go away, but now he's not. Now, he's going to stay and make you happy.
    71. Lestat : One happy family.
    72. Lestat : Read her thoughts.
    73. Lestat : Shh. Do you want to frighten our little daughter?
    74. Lestat : Should we put out the light? And then put out the light. But once put out thy light, I cannot give it vital breath again. It needs must wither.
    75. Lestat : Stop her, Louis.
    76. Lestat : The dark gift is different for each of us.
    77. Lestat : The way you are? A vampire gone insane that pollutes it's own bed?
    78. Lestat : Their democratic flavor doesn't suit my palate, Louis.
    79. Lestat : We are predators, Whose all seeing eyes were meant to give them detachment.
    80. Lestat : What's wrong, my dear?
    81. Lestat : Where do you think, my idiot friend? We're in a nice, filthy cemetery. Does this make you happy? Is this fitting, proper enough?
    82. Lestat : Whining coward of a vampire that prowls the night killing rats and poodles; you could have finished us both.
    83. Lestat : Why should I tell you? It's in my power.
    84. Lestat : Yes, it is. Well, then you must be dead.
    85. Lestat : You are a vampire who never knew what life was until it ran out in a big gush over your lips.
    86. Lestat : You-you let me drink *dead blood*?
    87. Lestat : Your body's dying. Pay no attention.
    88. Lestat : [dancing around with the corpse of Claudia's mother] There's still life in the old lady yet.
    89. Lestat : [smiling] And the more you tried, the more I wanted you.
    90. Louis : 1791 was the year it happened. I was 24, younger than you are now, but times were different then. I was a man at that age: the master of a large plantation just south of New Orleans. I had lost my wife in childbirth. She and the infant had been buried less than half a year; I would have been happy to join them. I couldn't bear the pain of their loss: I longed to be released from it.
    91. Louis : A little child she was, but also a fierce killer, now capable of the ruthless pursuit of blood with all a child's demanding.
    92. Louis : Absolutely. I was waiting for you in that alleyway: watching you watching me. And then you began to speak.
    93. Louis : Ah, but I know you did. I know. You who regrets nothing, you who feels nothing, if that's all I have left to learn, I can do that on my own... and as much as your invitation may appeal to me, I *regretfully* decline.
    94. Louis : All but us.
    95. Louis : And you can teach me this?
    96. Louis : Bear me no ill will my love we are now even.
    97. Louis : Blood, I was to find, was a necessity as well. I woke the next evening with a hunger I had never felt.
    98. Louis : But the world was a tomb to me, a graveyard of broken statues, and each of those statues resembled her face.
    99. Louis : But there was a hell, and no matter where we moved to, I was in it.
    100. Louis : Claudia.
    101. Louis : Do you think I would let them harm you.
    102. Louis : Fictions, my friend. The vulgar fictions of a demented Irishman.
    103. Louis : For 30 years I had avoided that place. Yet I found my way back there with hardly an upward glance.
    104. Louis : Forgive me if I have a lingering respect for life.
    105. Louis : Her blood coursed through my veins sweeter than life itself. And as it did, Lestat's words made sense to me. I knew peace only when I killed and when I heard her heart in that terrible rhythm, I knew again what peace could be.
    106. Louis : How do we seem to you? Do you find us beautiful, magical? Our white skin, our fierce eyes? "Drink" you ask me, do you have any idea of the thing you will become?
    107. Louis : I can't.
    108. Louis : I took your life. He gave you a new one.
    109. Louis : I tried.
    110. Louis : I walked all night, I walked as I had walked years before when my mind swarmed with guilt at the thought of killing. I had thought of all the things I had done, and couldn't undo. And I longed for a moments peace.
    111. Louis : I'm a vampire.
    112. Louis : I'm flesh and blood, but not human. I haven't been human for two hundred years.
    113. Louis : In the spring of 1988, I returned to New Orleans, and as soon as I smelled the air, I knew I was home. It was rich, almost sweet, like the scent of jasmine and roses around our old courtyard. I walked the streets, savoring that long lost perfume.
    114. Louis : It was a long, long time ago. Before you were born, and I don't recommend them.
    115. Louis : Lestat killed two, sometimes three a night. A fresh young girl, that was his favorite for the first of the evening. For seconds, he preferred a gilded beautiful youth. But the snob in him loved to hunt in society, and the blood of the aristocrat thrilled him best of all.
    116. Louis : Love holds you to me.
    117. Louis : Most of all I longed for death. I know that now. I invited it. A release from the pain of living. My invitation was open to anyone. To the whore at my side, to the pimp that followed. But it was a vampire that accepted.
    118. Louis : My God, I've failed again.
    119. Louis : Once, maybe twice in his own eternity. Maybe it was to quench those tears forever that I took such revenge on them.
    120. Louis : Perhaps lucky for the both of us.
    121. Louis : She is dying. It happened to you too, but you were to young to remember.
    122. Louis : So it was, when I'd given up the search for vampires, that a vampire found me.
    123. Louis : That morning I was not yet a vampire, and I saw my last sunrise. I remember it completely, and yet I can't recall any sunrise before it. I watched its whole magnificence for the last time as if it were the first. And then I said farewell to sun light, and set out to become what I became.
    124. Louis : The statue seemed to move, but didn't. The world had changed, yet stayed the same. I was a newborn vampire weeping at the beauty of the night.
    125. Louis : Then out of curiosity, boredom, who knows what, I left the old world and came back to my America. And there, a mechanical wonder allowed me to see the sun rise for the first time in two hundred years. And what sunrises, seen as the human eye could never see them: silver at first, then, as the years progressed, in tones of purple, red, and my long lost blue.
    126. Louis : Then what a pair we could make, but what if it's a lesson I don't care to learn.
    127. Louis : They know about us. They watch us dine on empty plates and drink from empty glasses.
    128. Louis : Thirty years had passed, yet her body remained that of an eternal child. Her eyes alone told the story of her age, staring out from under her doll-like curls, with a questioning that will one day need an answer.
    129. Louis : Though the fire seemed to spread through the quarter, I stood on that deck, fearful he would come out again from the very river, like some monster, to destroy us both. And all the while, I thought, 'Lestat, you deserve your vengeance. You gave me the dark gift, and I delivered you into the hands of death for the second time.'
    130. Louis : To be without regret?
    131. Louis : Vampires pretending to be humans, pretending to be vampires.
    132. Louis : We belong in hell.
    133. Louis : We can't begin this way. Let me turn on the light.
    134. Louis : We love it. I only wanted to prepare you.
    135. Louis : We reached the Mediterranean. I wanted those waters to be blue, but they were black, nighttime waters, and how I suffered then, straining to recall the color that in my youth I had taken for granted.
    136. Louis : What died in that room was not that woman. What has died is the last breath in me that was human.
    137. Louis : What if all I have is my suffering, my regret?
    138. Louis : Whatever happened to Lestat I do not know. I go on, night ever night. I feed on those who cross my path. But all my passion went with her golden hair. I'm a spirit of preternatural flesh. Detached. Unchangeable. Empty.
    139. Louis : Where are we?
    140. Louis : Why do you do this?
    141. Louis : Why? So you can have that too? The heart that mourns her, her that you burnt to a cinder.
    142. Louis : Yankees are not to your taste?
    143. Louis : Yes, but you needn't be concerned with that now.
    144. Louis : You fiend.
    145. Louis : You haven't the vaguest conception under God what you ask.
    146. Louis : You knew Lestat?
    147. Louis : You lack the courage of your convictions sir, do it.
    148. Louis : You see that old woman? That will never happen to you. You will never grow old, and you will never die.
    149. Louis : You've condemned me to Hell.
    150. Madeleine : Drink.
    151. Madeleine : En contraire Monsieur, I have.
    152. Whore : It's a coffin...
    153. [bites Louis]
    154. [slashes Lestat's face, and it heals immediately]
    155. [to Malloy]
    156. 精彩对白:
    157. Renfield: I am not insane. I am a sane man fighting for his soul.
    158. Van Helsing: We have all become God's madmen, all of us.
    159. Van Helsing: She lives beyond the grace of God. She is "vampyr", "nosferatu". These creatures do not die like the bee after a first sting, but instead grow strong once infected by another nosferatu. My friends we fight not one beast but legions living age after age after age, feeding off of the blood of the living.
    160. Dracula: The blood is life... and it shall be mine.
    161. Dracula: I am the monster the breathing men want to kill. I am Dracula.
    162. Dracula: The luckiest man in the world is he who finds true love.
    163. Dracula: I never drink... wine.
    164. Dracula: [to Jonathan Harker] They say you are a man of good... taste.
    165. Dracula: [about the wolves that are howling] Listen to them: the children of the night. What sweet music they make.
    166. Lord Arthur Holmwood: Last week he wanted to marry her. Now he wants to have her committed.
    167. Dracula: I have crossed oceans of time to find you.
    168. Van Helsing: Jack. Come here. I know how deeply you loved her. That is why you must trust me and believe...
    169. Doctor Jack Seward: Believe? How can I believe?
    170. Van Helsing: I want you to bring me before nightfall a set of postmortem knives.
    171. Doctor Jack Seward: An autopsy? On Lucy?
    172. Van Helsing: No, no. Not exactly. I just want to cut off her head and take out her heart.
    173. Van Helsing: Mr. Morris, your bullets will not harm him. He must be beheaded. I suggest that you use your big Bowie knife.
    174. Quincey P. Morris: Well, I wasn't plan on getting that close, Doc.
    175. Dracula: Absinthe is the aphrodisiac of the self. The green fairy who lives in the absinthe wants your soul. But you are safe with me.
    176. Mina: I want to be what you are. See what you see - love what you love.
    177. Dracula: Mina, to walk with me you must die to your breathing life and be reborn to mine.
    178. Mina: You are my love... and my life... always...
    179. Dracula: Then... I give you life eternal. Everlasting love. The power of the storm. And the beasts of the earth. Walk with me... to be my loving wife... forever.
    180. Dracula: I condemn you to living death. To eternal hunger for living blood.
    181. Jonathan Harker: The Count, the way he looked at Mina's picture fills me with dread. As if I have a part to play in a story that is not known to me.
    182. [to Mina about the wolf]
    183. Dracula: He likes you .
    184. Dracula: I... love you too much to condemn you.
    185. Lucy Westenra: Come to me, Arthur. Leave these others and come to me. My arms are hungry for you.
    186. Dracula: I shall rise from my own death, to avenge hers with all the powers of darkness.
    187. Dracula: What devil or witch was ever so great as the killer whose blood flows in these veins?
    188. Dracula: I am the last of my kind.
    189. Professor Abraham Van Helsing: We are dealing with forces beyond all human experience, and enormous power. So guard her well. Otherwise, your precious Lucy will become a bitch of the Devil! A whore of darkness!
    190. Mina Harker: How did Lucy die? Was she in great pain?
    191. Mina Harker: Take me away from all of this death!
    192. [Dracula has been slashed in the throat by Jonathan and impaled by Quincey]
    193. [to Jonathan]
    194. Mina: When my time comes, will you do the same to me?
    195. [pause]
    196. Mina: Will you?
    197. Jonathan Harker: No.
    198. Dracula: I, who served the Cross. I, who commanded nations, hundreds of years before you were born.
    199. Dracula: I was betrayed. Look at what your God has done to me!
    200. Lord Arthur Holmwood: Forgive me, Sir. My life is hers - I would give my last drop of blood to save her.
    201.  
       
      September 30

      Tristan and Isolde

      罗马帝国衰亡后,在蛮族无情入侵与迁徒的情况下,不列颠诸岛陷入了数世纪之久的黑暗时代。爱尔兰国王唐查德(大卫•帕特里克•奥哈拉 饰)仰仗着强大的军事力量压制着英格兰的各路诸侯。面对着各自为战的分裂格局,雄才大略的康沃尔国王马可(鲁弗斯•西维尔 饰)意欲实现统一英格兰各部的梦想。马克认为他的理想一定会实现,因为他的身旁有个得力臂膀——骑士崔斯坦(詹姆斯•弗兰克 饰)。

        崔斯坦是个孤儿,其父母在爱尔兰人的一次突袭中丧命,为了从敌人剑下救出年幼的崔斯坦,马克失去了右手,在他的精心培育下,崔斯坦成长为一名骁勇善战的骑士,二人情同父子。然而无比忠诚的崔斯坦的内心却埋藏着一个无法启齿的秘密:与爱尔兰军队的一次激战过后,身负重伤的崔斯坦随船飘荡至海岛的岸边,在一位神秘的爱尔兰姑娘的精心呵护下伤势取得了痊愈,渐生的情愫因崔斯坦必须重返英格兰而阻断,至今他依旧思念着那位姑娘,不知今生是否有缘再见。

        为了挑起事端、阻止英格兰的统一大业,唐查德邀请英格兰各部参加比武大会,并许诺将公主伊索德(索菲娅•麦尔斯 饰)作为奖赏许配给获胜的一方,崔斯坦代表康沃尔赢得了比武,从而为国王马可赢取了一位未来的英格兰王后。可是,负责接迎的崔斯坦却惊讶地发现伊索德原来就是那位救治并掩护了自己的爱尔兰姑娘,他为国王赢取的新娘居然是自己朝思暮想的心上人!志得意满的马可国王迎娶了伊索德,粉碎了唐查德意欲永远分裂英格兰的图谋。

        因为战火而饱受相思之苦的崔斯坦与伊索德虽然再次相逢,但为了保守骑士的忠诚与维护国王的尊严、为了和平统一大业,崔斯坦与伊索德只得压抑着炽热的情感。但爱火一旦点燃就无法熄灭,崔斯坦与伊索德终于越过了宗教与伦理的樊篱……马可国王发现了这段不伦之恋,为什么要有家国的使命?为什么要有父子君臣间的忠诚?为什么要有马可国王的深深伤痛? 崔斯坦与伊索德爱得一无反顾,哪怕最终的结局只是死在爱人的臂弯里,既然担负不起这一切,担负不起那份爱,就只好去担负死的尊严。

       
      July 13

      Legally Blonde

      和第弟一起看到三点,看得好痛苦,竟然没有字幕一刚,考验我的听力。蛮好看的,suprise很精彩!

      尤其是那句“You Bitch!”

      July 08

      Magic

      sleepless in seattle

      What if someone you never met,

      someone you never saw,

      someone you never knew was the only someone for you?

       

       

                                                                                                                                        When I fall I love it will be forever

      or I I never fall in love

      In a restless world like this is

      Love is ended before it begun

      And too many moonlight kisses

      Seem to cool in the warmth of the sun

      When I give my heart

      it will be completely

      or I never give my heart

      And the moment I can feel that

      you feel that way too

      is when I fall in love

      with you

      when I fall in love

      when I fall in love

      February 12

      The Pianist

      2003年本片赢得了奥斯卡最佳男主角和最佳导演奖,引来全世界的一片惊叹,这部直面苦难与人性的电影最终战胜了以场面取胜的大制作,在出乎所有人意料的同时,又的确是名至实归。罗曼·波兰斯基这部半回忆录式的电影将我们再次带回60多年前那场大屠杀中,在一片废墟的华沙寻找生命与音乐的尊严,在没有人性的年代寻找人性的光芒。影片的镜头清醒而体贴入微,它关注钢琴师忧郁的面庞,关注着满街的尸首,冷静旁观生命在瞬间破碎。曾亲临其境的波兰斯基在写实风格的基础上,倾注了更多的个人情感和强烈情绪。本片比那部同样题材的《辛德勒名单》更加真实、更加有力、更加残酷。

      February 11

      scent of a woman

      United States, 1992
      U.S. Release Date:
      1/8/93 (wide)
      Running Length: 2:36
      MPAA Classification: R (Language, mature themes)
      Theatrical Aspect Ratio: 1.85:1

      Cast: Al Pacino, Chris O'Donnell
      Director: Martin Brest
      Producer: Martin Brest
      Screenplay: Bo Goldman
      Cinematography: Donald E. Thorin
      Music: Thomas Newman
      U.S. Distributor: Universal Pictures

      Scent of a Woman is about Charles Simms (Chris O'Donnell), a Boston prep school senior, and the Thanksgiving weekend he spends working as the aide and companion of Lt. Colonel Frank Slade (Al Pacino), an embittered, lonely, blind veteran. The job, which begins as an onerous task performed principally for money, becomes a tour of self-discovery when Slade decides to make an unexpected visit to New York City. There, amidst all the holiday hoopla, the lieutenant's actions force Charlie into making an emotionally painful - and potentially physically dangerous - decision.

      There are certain actors that, when they appear in a film, are almost invariably indicators that the production is of high quality. They are an elite few, with names like Nicholson, Hoffman, Hackman, and Pacino. Considering some of the roles that Al Pacino has played during his celebrated career (in The Godfather trilogy, for example), it would be hyperbole to say that he gives the "performance of a lifetime" in Scent of a Woman...or would it? For two hours, he brings Frank Slade to life in a way that few others in Hollywood could. As portrayed by Pacino, there's far more to this man that a rancorous outlook on life and a couple of hearty "hoo-ha"s.

      Chris O'Donnell, a fresh-but-not-unknown face, is solid, if somewhat obscured in the more experienced man's shadow. Although the role of Charlie is understated by O'Donnell, he nevertheless manages to fashion a rapport with the audience. This is necessary for the film to succeed, since it's through his eyes that the story unfolds.

      In essence, Scent of a Woman is another in a never-ending series of bonding pictures where each person has something unique to offer to the other. If there's anything special about the film, it's that on this occasion, the emotional realism of the characters, especially Slade, is heartwrenchingly believable. His relationship with Charlie works because Pacino won't let it fail.

      There are numerous dynamic scenes in Scent of a Woman, along with a surprising amount of comedy. Director/Producer Martin Brest knows how to blend humor with drama to good effect. His mix is nearly flawless, and he manages to do almost (and I emphasize almost) the entire film without resorting to manipulative tricks. Pacino's tango scene with Gabrielle Anwar is one such magical moment - unfettered, unforced, and highly enjoyable.

      Unfortunately, considering how sound the bulk of the picture is, the final moments, with their overt pandering to a Hollywood-style ending, are a severe liability. Certainly, such "triumphs" are fun to watch, but they cheapen Scent of a Woman. Would it have cost the production team that much to inject a little realism into the film's last reel?

      The movie is as long as its storyline demands. It doesn't seem like two and one-half hours, and less time with these characters would have cheated the audience. Aided by an emotive score from Thomas Newman, the picture has opportunities to soar. Hampered by the script's limitations, however, Scent of a Woman falls short of being a masterful production.

      © 1993 James Berardinelli

      February 03

      Ooh~~~Friends…I finished

      Phoebe's Wedding

      Joey: Friends, family, dog... Thank you all for being here to witness this blessed event. The cold has now spread to my special place... so I'm gonna do the short version of this. Phoebe and Mike are perfect for each other. And I know I speak for every one here... when I wish them a lifetime of happiness. Who has the rings?

      (one of the groomsmen gives the rings to Joey)

      Joey: (whispering to Phoebe) Okay...

      Phoebe: When I was growing up, I didn't have a normal mom and dad, or a regular family like everybody else, and I always knew that something was missing. But now I'm standing here today, knowing that I have everything I'm ever gonna need... You are my family. (She puts the ring on Mikes finger)

      Mike: Phoebe you're so beautiful. You're so kind, you're so generous. You're so wonderfully weird. Every day with you is an adventure, and I can't believe how lucky I am, and I can't wait to share my life with you forever. (He puts the ring on Phoebe's finger.)

      Phoebe: Oh wait, oh I forgot... and uhm... I love you... and you have nice eyes.

      Mike: I love you too.

      Ross: Uh Joey...

      Joey: Yeah?

      Ross: Chappy's heart rate has slowed way down.

      Joey: Oh, okay. Phoebe, do you take this man to be your husband?

      Phoebe: I do.

      (Joey has a "Yeah you do" smile on his face)

      Joey: Mike, do you take this woman to be your wife?

      Mike: I do.

      Joey: I now pronounce you... husband and wife.

      (Phoebe and Mike kiss)